Typography
Hot New Fonts: spring 2023
Read the book, Typographic Firsts
We’re always excited to tell you about the launch of great new additions to the ILT Font Store. Here are some recent releases we thought you’d like to hear about. And don’t forget they’re all available as webfonts too. Time to meet the new kids on the block:
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Tabrizi Jali typeface: reviving history through letterforms
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Tabrizi Jali is the first type revival based on the early Persian Naskh types of Iranian presses from the nineteenth century. It is a product of several years of extensive research into the history of printing and typefounding, and practical experiments. Thus, it is a great pleasure to announce its release on the first day of spring and the Persian New Year (Nowruz), the 20th of March, 2023. A year that also marks 200 years since the publication of the earliest known Persian book in Tehran.
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ILT’s Favorite Fonts of 2022
Read the book, Typographic Firsts
It’s that time of year again. Join us as we look back at some of our favorite fonts published on ILT in 2022.
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Power up your design game!
Read the book, Typographic Firsts
We’re thrilled to announce new ILT Academy courses and workshops. Take your Glyphs skills to the next level with our Glyphs Power-Up workshop, learn to design a Cyrillic typeface from scratch, or start designing variable fonts.
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Steven Heller’s Font of the Month: Juma
Read the book, Typographic Firsts
Steven Heller takes a closer look at Cyla Costa’s bold brilliant and wonderful new color font family, Juma.
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Hot New Fonts: Rotulo
Read the book, Typographic Firsts
A quick heads up about a great new release from Huy!Fonts. Rotulo is a huge new sans serif family that comes in 90, yes ninety styles. If you prefer varaible fonts, then this is your lucky day because Rotulo also comes in a single variable font with all three axes — width, weight, and slant — baked in.
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Expressive script fonts
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Expressive script fonts are a great way to introduce some energy into your designs. They can be use in standalone words as logos, for packaging, and in editorial design. They're also a great way to change pace as part of a system of typographic hierarchy, as headers or subheads. Here are 3 of our favorite expressive script fonts to get you started.
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Three Free Fonts
Read the book, Typographic Firsts
A brief post today to introduce you to three quality free fonts. There are plenty of poor quality free fonts out there. Some are missing important characters, others are just poorly drawn, or are bastardized versions of popular font families. But some $0 fonts are great quality and make welcome additions to anyone’s font library. […]
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Fonts for Editorial Design
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Typefaces for editorial design need to be expansive enough to support complex typographic hierarchies. They need to be readable (people read magazines & blogs) — but they also need to fulfill roles as titles, captions, pull quotes, drop caps, etc.
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Stellar Serifs: Sisteron
Read the book, Typographic Firsts
Sisteron, from the brilliant folk at Beasts of England Foundry, achieves a delicate and beautiful balance between stellar and stupendous. From vintage outer-space to Art Nouveau and Jugendstil, Sisteron is a typeface that evokes the ’20s, ’70s, and the 21st century.
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Steven Heller’s Font of the Month: Horizona
Read the book, Typographic Firsts
Steven Heller takes a closer look at Anita Jürgeleit’s wonderful Horizona font family.
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Steven Heller’s Font of the Month: Edie & Eddy Slab
Read the book, Typographic Firsts
Steven Heller takes a closer look at Lisa Fischbach’s wonderful new slab serif font family, Edie and Eddy Slab.
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Steven Heller’s Font of the Month: Geetype
Read the book, Typographic Firsts
Steven Heller takes a closer look at Geetype’s magnificent, bold and curvaceous Geetype!
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